本の内容 浮世絵春画の図像を「誰が（Ｗｈｏ）、どこで（Ｗｈｅｒｅ）、いつ（（Ｗｈｅｎ）、何を（Ｗｈａｔ）、なぜ（Ｗｈｙ）、どのように（Ｈｏｗ）」の六つの観点で章立てし、戸浮世絵師の代表作を中心に紹介。 目次 Ｗｈｏ：多種多様な組み合わせ Ｗｈｅｒｅ：さまざまな場所で Ｗｈｅｎ：四季折々の風物にかこつけて Ｗｈａｔ：春情を誘う家具・道具 Ｗｈｙ：性にまつわる喜怒哀楽 Ｈｏｗ：さまざまな性戯

In Borderland Dreams June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Korean Autonomous Prefecture of Yanbian in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing t...(展开全部)

In Borderland Dreams June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Korean Autonomous Prefecture of Yanbian in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing t...(展开全部)

杜朴（Robert L. Thorp），早期中国艺术领域的权威学者，华盛顿大学圣路易斯分校艺术史和考古系荣休教授，著述丰硕。杜朴博士除了在远东广泛游历和参加田野考察工作外，还合作策划了几个重要的展览，并受邀在多个以中国艺术收藏著称的美国博物馆做讲座。 文以诚 （Richard Ellis Vinograd），著名的中国画研究专家，1995 年起任斯坦福大学艺术和艺术史系主任。他是晚期中国（宋代至今）艺术领域备受尊崇的学者，著有《自我的界限：1600-1900 的中国肖像画》，在许多重要刊物上发表过文章和书评。文以诚博士经常受邀以演讲者、评审或研讨者的身份出席有关中国艺术与文化的会议和论坛。

杜朴（Robert L. Thorp），早期中国艺术领域的权威学者，华盛顿大学圣路易斯分校艺术史和考古系荣休教授，著述丰硕。杜朴博士除了在远东广泛游历和参加田野考察工作外，还合作策划了几个重要的展览，并受邀在多个以中国艺术收藏著称的美国博物馆做讲座。 文以诚 （Richard Ellis Vinograd），著名的中国画研究专家，1995 年起任斯坦福大学艺术和艺术史系主任。他是晚期中国（宋代至今）艺术领域备受尊崇的学者，著有《自我的界限：1600-1900 的中国肖像画》，在许多重要刊物上发表过文章和书评。文以诚博士经常受邀以演讲者、评审或研讨者的身份出席有关中国艺术与文化的会议和论坛。

The American poet Ezra Pound, the German playwright Bertolt Brecht, and the writers associated with the Parisian avant-garde literary journal Tel Quel, in particular, developed passions for China. Hayot examines these writers' infatuation with China, demonstrating that Pound, Brecht, and the writers of Tel Quel looked east and found a new vision for both themselves and the West...(展开全部)

The American poet Ezra Pound, the German playwright Bertolt Brecht, and the writers associated with the Parisian avant-garde literary journal Tel Quel, in particular, developed passions for China. Hayot examines these writers' infatuation with China, demonstrating that Pound, Brecht, and the writers of Tel Quel looked east and found a new vision for both themselves and the West...(展开全部)

Joshua A. Fogel is professor of history at York University, Toronto, and a specialist in the history of cultural and political ties between China and Japan in the modern era.